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Incendiary Traces

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An art, research and media project investigating the role of landscape imagery in international conflict through drawing events at militarized sites and publications.

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Incendiary Traces

  • Projects
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The Intimate Technology of Remote Vision →

September 8, 2017 Susanna Newbury

This essay is an excerpt from Incendiary Traces: Hillary Mushkin, published in conjunction with the 2017 Pomona College Museum of Art exhibition, "Project Series 51: Incendiary Traces."

← The EU Border: Frontex to the Hellenic CoastView from the Top: Plein-Air Surveillance at Point Mugu →

© HILLARY MUSHKIN 2025