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Fig. 3: Panoramic view of the C4i4 from the parking lot rooftop | photo by Paulina V. Pulido
Incendiary Traces reports on visiting the controversial and architecturally formidable C4i4, Mexico City's police surveillance hub.
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View from a ridge in DICE-T with platoon leader’s location | Drawing by Jena Lee
Incendiary Traces pays a virtual visit to an Afghani village to make the seemingly remote conflict a bit more comprehensible to those in the U.S.
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A view of the Pacific from Bunker Hill at the US-Mexico Border | Watercolor by Hillary Mushkin
Incendiary Traces visits the U.S.-Mexico Border to view the binational boundary from the perspective of U.S. Border Patrol agents.
Read MoreIncendiary Traces led a recent draw-in at the 29 Palms Marine Corps Air Ground Combat Center where participants used drawing as a tool for connecting the SoCal landscape to foreign battle zones.
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Drawing by Hillary Mushkin
Artists, art historians, and students gathered to draw the most southwestern edge of the U.S./Mexico border as part of a continued investigation by Incendiary Traces.
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Radome, Housing protecting radar antennae | Drawing : Hillary Mushkin
Incendiary Traces gathered at Northrop Grumman's Aerospace Headquarters to contemplate looking, drawing, recording, and representing landscape at the home of military "sight."
Read MoreIncendiary Traces ventures out on the sport fishing boat Fury for an unannounced draw-in focused on San Clemente Island Naval Weapons Testing Range.
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Artists Robby Herbst and Susan Siltonn | Photo : Hillary Mushkin
Hillary Mushkin and a small group of artists and writers sat outside of the Los Angeles Air Force Base sketching and reading poetry. When their quiet session caused alarm, their conversation turned to the legality of looking.
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